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Publication
Arturo Fontaine: narrador y poeta de utilidad pública
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Abstract(s)
Estudio de la escritura narrativa y poética de Arturo Fontaine como una mediación irresuelta
entre los dos espacios mentales contrarios que han regido la producción cultural
latinoamericana: el de la sociabilidad casuística (que juzga casos de conciencia mediante
normas reveladas: la familia, la tradición, las dictaduras de derecha e izquierda) y el de
la sociabilidad moderna (que se esfuerza por resolver la tensión entre orden y libertad
de modo dialógico). Mientras el orden de la primera es patrimonial (identidad del bien
público con el privado), de modo que las elites gobiernan el Estado como una parcela de
su hacienda; el orden de la segunda es democrático-liberal y se rige por la separación de
los poderes. Fontaine explora las creencias, ideas, usos y costumbres de estos mundos
opuestos a través de un discurso que dialectiza la narración por siluetamientos y montajes
parciales. Ambos procesos configuran lo leído como una realidad translúcida, inestable,
que replica asuntos universales y actuales: tortura institucional, asesinato de Estado,
desaparecimiento del adversario político, etc.
Arturo Fontaine’s narrative and poetic writing is an unresolved mediation between two opposing mental spaces in Latin American cultural production: that of a caustic sociability that evaluates issues of consciousness against norms and institutions such as the family, tradition and dictatorships of left and right and a modern sociability that attempts to dialogically resolve the tension between order and freedom. While order for the first is patrimonial –same identity of public and private good- elites govern the state as an hacienda; order in the later is democratic-liberal and ruled by the separation of powers. Fontain explores the beliefs, ideas, uses and customs of these two opposing worlds with a discourse that dialectilizes narratives through siluettes and montages. Both procedures configure what is read as a transparent and unstable reality that replicates universal and contemporary themes such as institutional torture, state murder, disappearance of the political adversary, etc.
Arturo Fontaine’s narrative and poetic writing is an unresolved mediation between two opposing mental spaces in Latin American cultural production: that of a caustic sociability that evaluates issues of consciousness against norms and institutions such as the family, tradition and dictatorships of left and right and a modern sociability that attempts to dialogically resolve the tension between order and freedom. While order for the first is patrimonial –same identity of public and private good- elites govern the state as an hacienda; order in the later is democratic-liberal and ruled by the separation of powers. Fontain explores the beliefs, ideas, uses and customs of these two opposing worlds with a discourse that dialectilizes narratives through siluettes and montages. Both procedures configure what is read as a transparent and unstable reality that replicates universal and contemporary themes such as institutional torture, state murder, disappearance of the political adversary, etc.
Description
Keywords
Realismo translúcido Siluetamiento Montaje Sociabilidad patrimonial/ liberal Transparent realism Silhouette Montage Patrimonial/ liberal sociability
Citation
Nuestra América. Porto. ISSN 1646-5024. 10 (Ene - Jul 2016) 39-48.
Publisher
Edições Universidade Fernando Pessoa. NELA - Núcleo de Estudos Latino-Americanos. CECLICO - Centro de Estudos Culturais, da Linguagem e do Comportamento