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Abstract(s)
Este artículo trabaja el tema del paisaje y su representación en el cine chileno actual, particularmente
en la película Verano del director José Luis Torres Leiva (Chile 2011). La idea
de paisaje es trabajada según los planteamientos del filósofo Georg Simmel, y el crítico de
arte W.J.T. Mitchell. De manera que Verano al mostrar desde el aparato cinematográfico
un paisaje afectivo, junto con uno visual y sonoro, da cuenta también de una crisis interna
de imposibilidad de diálogo y lenguaje al interior de los personajes que deambulan por
este lugar de veraneo.
This paper examines the role of the landscape and its representation in cinema, in the film Verano by film director José Luis Torres Leiva (Chile 2011). The notion of landscape is worked through the ideas of the philosopher Georg Simmel, and art critic W.J.T. Mitchell. Verano uses film as a device to show an affective landscape together with a visualscape and soundscape. That movie portrait is an inner crisis of the impossibility of dialogue, and language within the characters who wonder around a summer vacation.
This paper examines the role of the landscape and its representation in cinema, in the film Verano by film director José Luis Torres Leiva (Chile 2011). The notion of landscape is worked through the ideas of the philosopher Georg Simmel, and art critic W.J.T. Mitchell. Verano uses film as a device to show an affective landscape together with a visualscape and soundscape. That movie portrait is an inner crisis of the impossibility of dialogue, and language within the characters who wonder around a summer vacation.
Description
Keywords
Paisaje Afectividad Representación Cine Torres Leiva Landscape Affective Representation Cinema
Citation
Nuestra América. Porto. ISSN 1646-5024. 10 (Ene - Jul 2016) 231-242.
Publisher
Edições Universidade Fernando Pessoa. NELA - Núcleo de Estudos Latino-Americanos. CECLICO - Centro de Estudos Culturais, da Linguagem e do Comportamento