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Abstract(s)
Este artigo pretende apresentar os resultados finais de uma investigação de pós-doutoramento. A pesquisa procura discutir a compreensão dos manuscritos arquivísticos de Fernando Pessoa (1888-1935) como um "espólio" e inferir o quantitativo das representações desses documentos, bem como identificar as práticas através das quais essas representações foram mediadas na Casa Fernando Pessoa. O método histórico-documental é adotado considerando a base empírica como os produtos, o espaço do museu e a documentação administrativa de 2006 e janeiro de 2017. Do entendimento de "espólio" resultam as seguintes consequências: uma mistura de arquivos como resultado de adições impróprias, a falta de controle sobre a preservação de autenticidade dos documentos, a ausência de representações arquivísticas e de vínculos arquivísticos, a tematização do arquivo em detrimento da descrição arquivística, a desarticulação entre coleções particulares e arquivos públicos e a não-conformidade com padrões metodológicos compatíveis com um fundo fechado de arquivo. A Casa Fernando Pessoa está localizada como um lugar de convergência entre materiais de museus, arquivos e bibliotecas. O resultado quantitativo total das representações dos manuscritos arquivísticos de Fernando Pessoa (1888-1935) corresponde ao número total de 225 representações. Foram identificadas as seguintes categorias de representação: fac-similar, artística, visual, gráfica e digital. ldentificou-se a ocorrência de 22 práticas distribuídas nos seguintes tipos: recriação histórica. exposição, exposição multimídia, curso, efemérides, webdifusão e curadoria digital. Foi possível constatar que a Casa Fernando Pessoa contribuiu para a democratização das representações dos manuscritos através de práticas de difusão e mediação cultural com material de arquivo.
This article aims to present the final results of an postdoctoral investigation. The research seeks to discuss the understanding of the archival manuscripts of Fernando Pessoa (1888¬1935) as a "espólio" and infering the quantitative representation of these documents, as well identify the practices through which these representations have been mediated in the Fernando Pessoa House. The documentary-historical method is adopted considering the empirical basis of the products, the museum space and the administrative documentation from 2006 to January 2017. From the understanding of "espólio", following consequences result: a mix with archive as a result of improper additions of documents to the archival set, a lack of control over the preservation of the authenticity of documents, absence of archival representations and archival bonds, the thematization of the archive in detriment of the archival description, the disarticulation between private collections and public archives and the no-compliance of methodological standards compatible with a closed archival fonds. Fernando Pessoa House is located as a place of convergence between materials of museum, archives and libraries. The total quantitative result of the representations of the archival manuscripts of Fernando Pessoa (1888-1935) corresponds to the number of 225 representations. The following categories of representation have been identified: fac-similar, artistic, visual, graphic and digital representations. It was identified the occurrence of 22 practices distributed in these following types: historical recriation, exhibition, multimedia exhibition. course, ephemeris, webdiffusion and digital curation. It was possible constatate that Fernando Pessoa House has contributed to the democratization of the representations of the manuscripts through practices of diffusion and cultural mediation with archival material.
This article aims to present the final results of an postdoctoral investigation. The research seeks to discuss the understanding of the archival manuscripts of Fernando Pessoa (1888¬1935) as a "espólio" and infering the quantitative representation of these documents, as well identify the practices through which these representations have been mediated in the Fernando Pessoa House. The documentary-historical method is adopted considering the empirical basis of the products, the museum space and the administrative documentation from 2006 to January 2017. From the understanding of "espólio", following consequences result: a mix with archive as a result of improper additions of documents to the archival set, a lack of control over the preservation of the authenticity of documents, absence of archival representations and archival bonds, the thematization of the archive in detriment of the archival description, the disarticulation between private collections and public archives and the no-compliance of methodological standards compatible with a closed archival fonds. Fernando Pessoa House is located as a place of convergence between materials of museum, archives and libraries. The total quantitative result of the representations of the archival manuscripts of Fernando Pessoa (1888-1935) corresponds to the number of 225 representations. The following categories of representation have been identified: fac-similar, artistic, visual, graphic and digital representations. It was identified the occurrence of 22 practices distributed in these following types: historical recriation, exhibition, multimedia exhibition. course, ephemeris, webdiffusion and digital curation. It was possible constatate that Fernando Pessoa House has contributed to the democratization of the representations of the manuscripts through practices of diffusion and cultural mediation with archival material.
Description
Relatório apresentado à Universidade Fernando Pessoa como parte dos requisitos para o cumprimento do programa de Pós-Doutoramento em Ciências da Informação, ramo de Arquivo, Biblioteca e Documentação
Keywords
Arquivos Manuscritos Representações Casa-Museu Mediação cultural Casa Fernando Pessoa Archives Manuscripts Representations House-museum Cultural mediation House Fernando Pessoa