Publication
The camera tends to lie and the audience tends to believeā. Some implications of the use of film in ethnographic research: the case of the European research project TRESEGY
| dc.contributor.author | Santos, Paula Mota | |
| dc.contributor.author | Alzetta, Roberto | |
| dc.date.accessioned | 2018-05-21T14:27:29Z | |
| dc.date.available | 2018-05-21T14:27:29Z | |
| dc.date.issued | 2015 | |
| dc.description.abstract | This paper discuss issues related to the use of film in social science research. A documentary made within TRESEGY, a three year EU-funded research project, is the basis of this paper. TRESEGY focused on the experiences of inclusion and exclusion in the public sphere among second generation migrated European teenagers. The final documentary was made by two film crews from two different universities that divided among themselves nine European cities where filming took place. Issues of the negotiation of meaning involved in the different stages of film-making, between a) the researchers consortium and the filmmakers b) the youths filmed and the filmmakers/researchers from each terrain are discussed. | pt_PT |
| dc.description.abstract | O artigo trabalha questƵes relacionadas com o uso do filme na investigaĆ§Ć£o em ciĆŖncias sociais. Um documentĆ”rio feito no Ć¢mbito do projecto TRESEGY, projecto financiado pela EU, Ć© a base deste artigo. TRESEGY focalizou questƵes de inclusĆ£o e exclusĆ£o na esfera pĆŗblica de jovens europeus de ascendĆŖncia imigrante. O documentĆ”rio final foi realizado por duas equipas diferentes de duas universidades diferentes que dividiram entre si as nove cidades a filmar. SĆ£o apresentadas e discutidas questƵes de negociaĆ§Ć£o de sentido envolvidas nos vĆ”rios estĆ”dios da produĆ§Ć£o entre a) consĆ³rcio de investigadores e realizadores e b) entre os jovens filmados e os investigadores de cada terreno/cidade. | pt_PT |
| dc.description.version | info:eu-repo/semantics/publishedVersion | pt_PT |
| dc.identifier.citation | AntropolĆ³gicas. Porto: EdiƧƵes Universidade Fernando Pessoa. ISSN 0873-819X. 13 (2015) 17-22 | pt_PT |
| dc.identifier.issn | 0873-819X | |
| dc.identifier.uri | http://hdl.handle.net/10284/6674 | |
| dc.language.iso | eng | pt_PT |
| dc.publisher | EdiƧƵes Universidade Fernando Pessoa | pt_PT |
| dc.subject | Social sciences | pt_PT |
| dc.subject | Documentary | pt_PT |
| dc.subject | Colective filmaking | pt_PT |
| dc.subject | Methodology | pt_PT |
| dc.subject | CiĆŖncias sociais | pt_PT |
| dc.subject | DocumentƔrio | pt_PT |
| dc.subject | RealizaĆ§Ć£o coletiva | pt_PT |
| dc.subject | Metodologia | pt_PT |
| dc.title | The camera tends to lie and the audience tends to believeā. Some implications of the use of film in ethnographic research: the case of the European research project TRESEGY | pt_PT |
| dc.type | journal article | |
| dspace.entity.type | Publication | |
| oaire.citation.conferencePlace | Porto | |
| oaire.citation.endPage | 22 | pt_PT |
| oaire.citation.startPage | 17 | pt_PT |
| oaire.citation.title | AntropolĆ³gicas | |
| oaire.citation.volume | 13 | |
| person.familyName | Santos | |
| person.givenName | Paula Mota | |
| person.identifier.ciencia-id | D118-2F5A-1C99 | |
| person.identifier.orcid | 0000-0002-5867-7650 | |
| person.identifier.rid | L-1311-2014 | |
| person.identifier.scopus-author-id | 55360796900 | |
| rcaap.rights | openAccess | pt_PT |
| rcaap.type | article | pt_PT |
| relation.isAuthorOfPublication | a9059e2c-9ea0-48df-8377-66ef9e4ecdfb | |
| relation.isAuthorOfPublication.latestForDiscovery | a9059e2c-9ea0-48df-8377-66ef9e4ecdfb |